Dr. Heike Moser

Asien-Orient-Institut (AOI)
Abt. für Indologie und Vergleichende Religionswissenschaft
Gartenstr. 19, 72074 Tübingen
Tel: 07071-2974005
Marktgasse 2
72070 Tübingen
Tel: 07071-147993 oder 0176-20030066

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Ausgewählte deutsch- und englischsprachige Literatur zu Kūṭiyāṭṭam,
Sanskrittheater aus Kerala / Südindien



Brückner, Heidrun. 2000. »Manuscripts and performance traditions of the so-called ›Trivandrum-Plays‹ ascribed to Bhāsa – A report on work in progress«. Bulletin d’Études Indiennes 17-18 (1999-2000), 501-550.

Byrski, Maria Christopher. 1967. »Is Kudiyattam a museum piece?«. Sangeet Natak Akademi Journal 5: 45-54.

Daugherty, Diane. 1996. »The Nangyār: Female Ritual Specialist of Kerala«. Asian Theatre Jounal 13/1: 54-67.

––––. 2000. »Fifty Years On: Arts Funding in Kerala Today«. Asian Theatre Journal 17/2: 237-252.

––––. [2010; im Druck]. »Subhadra Redux: Reinstating Female Kūṭiyāṭṭam«. In: Between Fame and Shame – Performing Women / Women Performers in India. Hg. v. Heidrun Brückner, Hanne de Bruin, Heike Moser. Wiesbaden: Harrassowitz (Drama und Theater in Südasien).

Johan, Virginie. [2010; im Druck]. »Actresses on the Temple Stages? The Conception and Performance of Women’s Roles in Kūṭiyāṭṭam Rāmāyaṇa Plays«. In: Between Fame and Shame – Performing Women / Women Performers in India. Hg. v. Heidrun Brückner, Hanne de Bruin, Heike Moser. Wiesbaden: Harrassowitz (Drama und Theater in Südasien) (mit Abbildungen und Videoclips).

Jones, Clifford Reis (Hg.). 1984. The Wondrous Crest-Jewel in Performance. Text and Translation of the Āścaryacūḍāmaṇi of Śaktibhadra with the Production Manual from the Tradition of Kūṭiyāṭṭam Sanskrit Drama. Delhi: Oxford University Press.

Kunjunni Raja, K. 1964 [1960]. Kutiyattam. An Introduction. New Delhi: Sangeet Natak Akademi.

Moser, Heike. 2000. »Mantrāṅkam. The Third Act of Pratijñāyaugandharāyaṇam in Kūṭiyāṭṭam«. Bulletin d’Études Indiennes 17-18 (1999-2000), 563-584.

––––. 2001. »Kūṭiyāṭṭam«. In: Religion in Geschichte und Gegenwart. Handwörterbuch für Theologie und Religionswissenschaft. Vierte, völlig neu bearbeitete Auflage. Hg. v. Hans Dieter Betz, Don Browning, Bernd Janowski, Eberhard Jüngel. Tübingen: Mohr Siebeck, Bd. 4 [I-K]: 1909-1910 [mit 1 Abb. ebd.]. [ab 2005 Nachdruck in engl. Übersetzung: » Kūṭiyāṭṭam«. In: Religion in Past and Present. Leiden: Brill].

––––. 2002. »Versrezitation im Sanskrit-Theater Kūṭiyāṭṭam (Kerala / Südindien)«. In: Meter, Rhythm and Performance – Metrum, Rhythmus, Performanz. Hg v. Christoph Küper. Frankfurt/M.: Peter Lang (Linguistic International, 6), 457-467.

––––. 2007a. »Und es gibt sie doch: Schauspielerinnen im klassischen Theater Südindiens«. In: Positionen: Maria Gräfin von Linden-Preis 2005 (Rundbrief 28). Freiburg: Verband Baden-Württembergischer Wissenschaftlerinnen, 63-76 [mit 13 Abbildungen].

––––. 2007b. »To enjoy playing with play. Or: He by whose goodness I was redeemed, having slipped through the clutches of the demon and fallen …«. In: The Power of Performance. Hg. v. Heidrun Brückner, Elisabeth Schömbucher, Phillip Zarrilli. Delhi: Manohar, 209-234 (mit 12 Abbildungen).

––––. 2008. Naṅṅyār-Kūttu˘ – ein Teilaspekt des Sanskrittheaterkomplexes Kūṭiyāṭṭam. Historische Entwicklung und performative Textumsetzung. Wiesbaden: Harrassowitz (Drama und Theater in Südasien, 6). Zugl.: Diss, Universität Würzburg 2004/5. 380 Seiten, 44 Abbildungen.

––––. 2009. »Naṅṅyār – Schauspielerinnen im klassischen Theater Südindiens«. In: Kulturwissenschaften und Frauenstudien. Aktuelle Arbeiten und Vorträge an der Fakultät für Kulturwissenschaften der Universität Tübingen, Bd. 3. Hg. v. Viktoria Eschbach-Szabo, Heidi Buck-Albulet. Tübingen: Eberhard Karls Universität Tübingen, 11-30 (mit Abbildungen).

––––. [2010, im Druck]. »How Kūṭiyāṭṭam became kūti-āṭṭam: The changing role of women in the Kūṭiyāṭṭam tradition of Kerala«. In: Between Fame and Shame – Performing Women / Women Performers in India. Hg. v. Heidrun Brückner, Hanne de Bruin, Heike Moser. Wiesbaden: Harrassowitz (Drama und Theater in Südasien) (mit Abbildungen und Videoclips).

Panchal, Goverdhan. 1984. Kūttampalam & Kūṭiyāṭṭam. A Study of the Traditional Theatre for the Sanskrit Drama of Kerala. New Delhi: Sangeet Natak Akademi.

Paniker, Nirmala. 22005 [11992] Nangiar Koothu. The Classical Dance-Theatre of the Nangiar-s. Second Revised Edition. Irinjalakuda: Natana Kairali (Documentation of Kutiyattam Series, 2).

Paulose, K. G. (Hg.). 1993. Naṭāṅkuśa. A Critique on Dramaturgy. Tripunithura: Govt. Sanskrit College (Ravivarma Samskṛta Granthāvali, 26).

––––. 2000a. Bhagavadajjukam in Kūṭiyāṭṭam. The Hermit and the Harlot – the Sanskrit farce in Performance. Delhi: Bharatiya Book Cooporation.

––––. 2000b. Bhīma in search of celestrial flower. Nīlakaṇṭhakavi Kalyāṇasaugandhikavyāyoga. Sanskrit Text with English Translation. Delhi: Bharatiya Book Cooporation.

––––. 2006. Kutiyattam Theatre: The Earliest Living Tradition. Kottayam: DC Books. Buch plus CD.

–––– [; Margi Madhu]. 2003. Improvisations of Ancient Theatre. [Documentation of the text and performance of Kaanchukeeyam, from a 11th century Sanskrit text]. Text and performance Margi Madhu. Tripunithura: International Centre for Kutiyattam.

Rajagopalan, L. S. 1997. Women’s role in Kūḍiyāṭṭam. Chennai: The Kuppuswami Sastri Research Institute.

––––. 2000. Kūḍiyāṭṭam: Preliminaries and Performance. Chennai: Kuppuswami Sastri Research Institute.

Richmond, Farley. 1990. »Kūṭiyāṭṭam«. In: Indian Theatre. Traditions of Performance. Hg. v. ders., Darius L. Swann, Phillip B. Zarrilli. Honolulu: The University of Hawaii Press, 87-117 [ind. Nachdruck: Delhi: Motilal Banarsidass (Performing Arts Series, 1)].

––––. 1999 [1993]. »Kutiyattam« In: The Cambridge Guide to Asian Theatre. Hg. v. James R. Brandon. Cambridge: University Press, 97-99.

––––. 2002. Kutiyattam. Sanskrit Theater of India. Multimedia-CD-ROM. [Ann Arbor:] University of Michigan Press (Digital Publishing at The University of Michigan Press, CD-ROM 0-472-00263-5).

Sangeet Natak Akademi. 1995. Kūṭiyāṭṭam. Hg. v. K. Ayyappa Paniker. Sangeet Natak Akademi Journal 111-114 [special issue].

Unni, N. P. (Hg.). 1987. Kulaśēkhara Varman’s Subhadrādhanañjayam. Delhi: Nag Publishers.

–––– (Hg.). 1998 [1974]. Mattavilāsa Prahasana. Delhi: Nag Publishers.

–––– / Bruce M. Sullivan. 1995. The Sun God’s Daughter and King Saṃvaraṇa: Tapatī-Saṃvaraṇam and the Kūṭiyāṭṭam Drama Tradition. Text with Vivaraṇa Commentary. Delhi: Nag Publishers.

–––– / ––––. 2001. The Wedding of Arjuna and Subhadrā: The Kūṭiyāṭṭam Drama Subhadrā-Dhanañjaya. Text with Vicāratilaka Commentary, Introduction, English Translation & Notes. Delhi: Nag Publishers.

Venu, G. 1989. Production of a play in Kūṭiyāṭṭam. Text and translation of the first act of Abhiṣeka Nāṭaka of Bhāsa with the Kramadīpika (production manual) and the Āṭṭaprakāraṃ (acting manual) from the Sanskrit Drama Tradition of Kerala. Irinjalakuda: Natanakairali (Documentation of Kūṭiyāṭṭam Series, 1).

––––. 2002. Into the world of Kutiyattam with the legendary Ammannur Madhava Chakyar. Irinjalakuda: Natanakairali (Documentation of Kūṭiyāṭṭam Series, 3).

––––. 2005. Kathakali, Kūṭiyāṭṭaṃ and Other Performing Arts. Fifty Years of Theatrical Exploration. Irinjalakuda: Natanakairali.





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Verantwortlich: Heike Moser
Stand: 8.6.2010